The UI of the plugin is slightly different than other software versions, but the operations are the same.įirst, we need to choose the camera and the camera model so we can appropriately apply the film profile. However, that effect won’t appear on a node on the color page, and as we’re grading you might as well be in the color page. Pull the effects panel up, then scroll to the very bottom to find the FilmConvert plugin. You could also apply and use this effect on the edit page.
To use the plugin, we first have to hop on the color page and open the effects panel. So, let’s have a look at how you use the plugin within Resolve, and what benefits it offers over other software. This is approach is very powerful in making sure your image looks as close as possible to the original film stock. However, if I apply the same film look but use a RED ONE MX camera profile, it interprets the film preset entirely different. This kills the image. The image looks relatively neutral in regards to contrast and exposure. First, it uses the exact color science behind various film stocks, and it also applies the chosen film stock to your image created on your camera’s base data.įor example, in this image I applied the Kodak Vision 3 stock with a BMD Ursa 4.6k camera profile (which is what the footage was shot on). FilmConvert is different from a color preset or grading plugin in two ways.
0 kommentar(er)
